The Mo’ Bass was designed to address the ever changing needs of the contemporary bassist. It is a professional quality bass amplifier with five unique on-board studio quality analog effects: Overdrive, SubWave, Bassynth, Mo’ EQ and Chorus, and came equipped with far too many features to list here. Production on the Mo’ Bass stopped in early 2003 to make way for the Mini Mo’ Bass Preamp.
Features:
Preamp EQ (Semi-parametric shelving type EQ): Treble, Middle, Bass, Middle Frequency 200Hz-800Hz
Mo’Bass EQ (Band Pass Filter fixed bandwidth EQ): Treble, Middle, Bass
Analog effects:
– Tube Overdrive
– SubWave (The Octave Effect)
– Bassynth
– Chorus
– Limiter/Leveler (Compressor Effect)
– Aural Enhancer (Tone Shaping/Frequency Response Control)
Dual Mode (Two Master Volume Controls for blending the original “clean” pre-amp signal with its EQ, and “wet” signal after it has been processed by the internal effects)
Phones Output (For “silent” playing without speaker cabinets)
+Internal Effects Bypass Footswitch
+Custom made Footswitch for all Internal Effects, Mo’EQ & Dual Mode
A 600W 4 x 10″ combo that can handle any setting from gigs to the studio.
FEATURES
- 4 – 10″ speakers
- 600W Power section
- 5 band EQ
- Rotary bass, middle and treble controls
- Overdrive control with footswitch control
- Effects send and return
- Tuner/line output
- Balanced DI output
At the heart of the MAG C410T-600 EVO III combo lies a feature-packed bass preamp with rotary bass, middle and treble controls, along with supplementary rotary controls providing 15dB of cut and boost at 220Hz and 1.6kHz. Additionally, front panel push switches for Bright and Deep settings provide instant access to attacking and warm, rounded sounds respectively and, on the subject of low-end response, the trademark Ashdown sub-harmonic generator is ready and able to deliver truck loads of earth moving tone if called upon.